Lousiana Music Hall of Fame 2011 "Future Hall of Famer"
"Best Male Performer" 2009 Big Easy Awards
"Best R & B Performer" 2009 Best of the Beat Awards
"There's over the top, Over the Top, OVER THE TOP, and Glen David Andrews... he was on his knees before the first song, and I was worn out" Alex Rawls OffBeat 6/1/10
"Last year Glen David Andrews praised the Lord at the Gospel Tent and made converts in the process. This year, the deities that rule over Jazz Fest paid him back. Andrews delivered a highlight performance at Congo Square on opening day before an appreciative crowd"
John Swenson OffBeat 6/1/10
"New Orleans has a long history of amazing performers whose legend never completely translates to the outside world... when a local artist breaks through at Jazzfest, it is a spectacular thing to witness. This fest it happened to Glen David Andrews...it was as if some otherworldly force took over him during a performance in the Gospel Tent that was completely transformative...he was a combination of James Brown and Prince...people were clamoring to touch him, to take a spark from this burning light of a spiritual force in their midst." excerpt from review by John Swenson, June 2009 OffBeat Magazine
"One of the giant talents of New Orleans." Quint Davis, Producer, New Orleans Jazz and Heritage Festival, May 1, 2009
"Andrews is a charismatic vocalist whose improvisational skills and command over any situation he’s involved in places him among the top ranks of New Orleans singers..." John Swenson OffBeat Feb. 2009
He is one of the most amazing vocalists alive today -- his billowing baritone is like a horn instrument itself -- and he is an incredible entertainer. He sanctifies, electrifies, hellafies. If you weren't dancing at this show you were dead. John Nova Lomax - Houston Press
“Aside from being a great musician, Glen David has absorbed a fading tradition. He's a link for his generation to something important. But he also has a rare enthusiasm and energy that makes it all special and exciting for even casual listeners.”
Ben Jaffe - Preservation Hall
In a city whose spirit world is as old as Mother Africa’s children, Glen David Andrews, a native son of New Orleans, has made a compelling case for his own deliverance.
Redemption is a powerful statement that correlates his own reclaimed life to his reclaimed city. The music is about ghosts and their residual energy, about acceptance and forgiveness, about rebirth and renewal. “Every song tells a story that I hope people will relate to,” the singer, songwriter and trombonist says proudly. “Redemption is about my journey back from the living dead.”
Redemption features Andrews's core band and a few chosen friends who've played a part in his spiritual recovery. Ivan Neville lays down gritty grooves on a humming Hammond organ and a badass clavinet, the history of modern funk percolating in his fingertips. Jamison Ross, winner of the prestigious 2012 Thelonious Monk Institute of Jazz competition, brings his own brand of bonhomie, singing, arranging and playing various instruments. Guitar god Anders Osborne contributes two searing solos. The album also features a surprise – a sample of the radiant voice of the Queen Mother of Gospel, Mahalia Jackson -- on a rousing version of her joyous hymn, “Didn't It Rain.”
A warrior for cultural preservation in New Orleans at a time when indigenous traditions are being threatened, Andrews is standing up for his own salvation. The centerpiece of the new album is “Surrender,” a deeply personal song about acceptance which Andrews wrote in rehab. “I woke up from a nightmare, in a cold sweat,” he recalls. “I realized that I had been given an opportunity to change my whole outlook on living.”
Andrews was born in the historic Tremé neighborhood, which many consider to be the oldest black community in the United States. Transfixed by the magic and mystery of the city's second-line parades, Andrews and his older brother, Derrick Tabb of the Rebirth Brass Band, along with their younger cousin Troy “Trombone Shorty” Andrews, soaked up life's musical lessons by learning the history of the brass band tradition from iconic figures like Tuba Fats. Andrews says. “Jesus was born in a manger,” Andrews says. “I was born in a second line.”
Andrew's showmanship has long endeared him to audiences on New Orleans' fabled Frenchman Street. He's also made a profound impression at the world's biggest block party – the annual New Orleans Jazz & Heritage Festival. “Glen is one of the giant talents of New Orleans music,” says fest producer Quint Davis.
As journalist Larry Blumenfeld, writing in the Wall Street Journal, notes: “Onstage and off, electrifying club audiences and street scenes, speaking his mind at civic rallies, Glen David Andrews perhaps best embodies what David Simon, creator of the HBO series Treme meant when he said, 'Culture is what brought New Orleans back.'”
“Life is hard,” Andrews says. “After Katrina, my Tremé will never be the same. But New Orleans culture is a permanent part of me. The gift of my sobriety is in my music now. I want to share my Tremé – my New Orleans – with the world.”